從同里到朱家角須約一小時多的車程，到達時已接近下午四時。

我們沒買景點鬥票，只是到處走走。經過放生橋，在熱鬧的街巷穿插，到處都賣着持式小吃，如桂花榚、糍實糕、扎肉、糉子等等。那些熱騰騰用葉子包着的扎肉看來不錯，吃起來有些像東坡肉，可以一試。地方的確很商業化，但也適合喜歡shopping及饞食的香港人。反而我們離開時鑽進了民居的小巷，感覺很平靜、舒適。

無論如何，到上海旅行必要遊水鄉、坐手搖木船才算去過上海，而朱家角亦是距離較近的了。要錯過

來到上海才體會到保育的影響力。如果上海不重視保留舊建築物，便不會有像田子坊、新天地等有趣的景點。

在新天地逛了一圈，真正感受到這新舊共融、中西合璧的城市風貌。用「國際大都會」來形容上海一點也沒錯。而且因為世博，一切都弄得井井有條，氣氛也很好。突然想起一本小說的句子﹕「在所有可能的世界中的最好的一個世界裏，一切已經是最好的了。」如果用來形容上海，大概也沒錯，特別是在世博帶動下的進步。

新天地的街道很整齊，餐廳和商店都是舊建築物翻新改裝過來的，很有特色。亦有一大片公園和噴水池，是城市中的綠州，在炎夏中走走也覺涼快。我們一邊走、一邊欣賞這些歷史建築物，亦拍了很多相片。本來有想過在新吉士吃晚飯，但最後都是去了圓苑。

圓苑是上海有名的本幫菜，在上海有數間分店，出品精緻可口，地方亦舒適，有點懷舊的氣氛，招呼也不錯。我們點了一些招牌菜﹕

- 凉伴青瓜海蜇
- 手撕鹹雞
- 素雞
- 火腿濃湯津菜
- 小籠包

待別推介手撕鹹雞因它手工精細，很乾身，鹹鹹香香，很好吃。素雞是老公仔最愛，見到有就一定要點。而火腿濃湯津菜真的不錯，除了用金華火腿外還用了大量蝦乾，津菜洋溢着火腿的香味加上蝦乾的鮮味，好吃到停不了口。可惜小籠包就太普通，嚴格來說是水準不夠。

這裏有名的菜式還有紅燒肉、糯米紅棗、芥末脆腸等，但這次吃不下那麼多，只盼有機會再來吃個夠。

值得體驗

博古斯學院法國西餐廳由法國廚藝學校博古斯學院開設，位於城市最佳實踐區的羅阿案例館，人流少且較隱蔽。如果想末能到 6 Sens訂座而又想吃法國菜，這裹直是一個不錯的選擇因為不但價錢比6 Sens便宜而且還能享受正宗的法國餐，何樂而不為呢!

我們走進餐廳，看見開放式的廚房內裏有十多位廚師正在忙錄準備以及烹調，這個開放式的計設眞的不錯，不但能提高廚房運作的透明度而且能看到「師哥」工作，真是十個讚牙!此外，在meau中得知此餐廳原來與上海旅遊高等專科學校合作，為他們的學生提供實習機會，怪不得不少待應是中國學生而他們的服務也不錯。

食物方面由於我不太吃羊肉，故只是嘗嘗一、兩口覺得不錯但末能為大家詳盡介紹。

我的最愛菜式 ★ 香煎ROUGIE鵝肝配蘋果、西芹、核桃仁 (RMB 120)::
這裏的鵝肝雖然不是把鵝肝煎得外脆內軟但也總算入口即溶，雖然皮煎得不夠脆但我卻愛那甘香及嫩滑，而目加上蘋果醬的味道，反而令鵝肝少了一份油膩卻多了一份融和感。

驚喜菜式 ★ 溫泉蛋配面包片尼昂橄欖 (RMB 95)::
我最欣賞的是那溫泉蛋，當一刀切下時看見蛋黃慢慢流出來，然後把蛋白沾上蛋黃醬吃真是十分滑溜十分好吃，結果我一口氣把它們吃掉。>v<

甜心甜品 ★ 西柚雪葩:: 這個甜品配有西柚雪葩、2塊餅似及一些雜果等。西柚雪葩吃下有透心涼的感覺，雪葩入口充滿著一陣陣的西柚味，不太甜也不酸，調教得剛剛好。然而那2塊餅雖然是配果但也十分好吃，餅乾帶著微微的麥芽糖而且又薄又脆相當可口。

温馨指示☆

1 ‧ 前來前應先預訂座位以確保不用白行
2 ‧ 午餐有Set Lunch 比夠便宜
     - 每人均有一件餐前小食
     - 可選擇1款指定頭盤/1款指定主菜+甜品  (RMB170)
     - 可選擇1款指定頭盤+1款指定主菜+甜品 (RMB280)
     *價錢不太記得,,但應該差不多^^

最後，這真是一頓美味的午餐，實惠價錢有如此好的質素，真的要說一句『 BRAVO! 』

當我們到達日本產業館後就被那巨形八爪魚招牌吸引著，它的眼睛用七色LED在固定的時刻會轉而且會舞動它的爪爪，真是十分耀目。看後才知得原來這是從大板遠道而來的「酷酷璐」章魚小丸子店，身為章魚小丸子迷的我當然立刻排隊。

由於日本廚師現是場製作小丸子，大約8-10分鐘才完成一鍋，看著她們澆上漿、然後放上一顆大大章魚粒、再再澆上紅薑等、最期待是她們放上木魚、紫菜及特製醬汁等的一刻。我看了又看差不多排了15分鐘，才能成功拿到一盒小丸子。

章魚小丸子 (RMB35元8粒) : 超級熱辣辣!打開盒後見到有木魚、沙律醬等而急不及待放進口中，一咬下那種感覺從未試過。小丸子外鬆內軟一點兒粉的感覺都沒有，一大顆章魚粒非常有咬口再加上醬汁的配搭實在天衣無繨，我喜歡那入口又軟又融合的感覺，太棒了!

行過一點就見到有不同口味的雪糕，最後點了一個較傳統的京都抹茶雪糕，在場看見京都抹茶雪糕的SIZE較其他口咪的雪糕為細，不知是否跟受歡迎程度有關。

京都抹茶雪糕 (RMB 20) : 口感沒有什麼特別只是比較硬身一點，抹茶味非常濃郁。喜酄抺茶的朋友可以一試，但我最失望的是為何沒有巨峰口味。

題外話其實在章魚小丸子店旁邊的「大阪屋」亦有「烤雞串」、「關東煮」、「炸肉餅」等等的典型日本料理，去世博的朋友可以試試再回來分享呢!

在荷蘭館地下有很多小食檔，在眾多小食店中我最想試荷蘭薯條因為據說在個歐洲之中以荷蘭做的炸薯條是最好吃，所以急不及待買了它來食。

荷蘭薯條 : 薯條外脆內軟、粗大的比較有口感，但害怕生痘痘的我，吃了數條便得停口。有朋友跟我說這裏的薯條跟在荷蘭吃到的一樣好吃，未去過荷蘭的我只好相信吧!

之後在草地下的小食車看見有焦赯夾餅，便立刻被它吸引著乖乖去排隊。

焦赯夾餅 : 由於未試過新鮮即造的焦赯夾餅故感到新鮮。原來是把焗好的一塊餅切開一分為二，再加上焦糖，然後合二為一便完成。第一口吃下餅還是熱熱的、軟軟的，感覺十分有趣。但當放待一會兒，餅身便會有點硬加上焦糖的甜味，真是1000000%好吃!SWEET*

其實還有很多小食，但我沒有花時間去遂一觀看，因為我相信還有更好的等待著我呢。

我們行了一整天世博已經筋疲力盡，決定從後灘出口乘的士去吃晚飯，誰知的士區大排長龍，結果等候差不多３０分鐘才能乘的士離開。由於這間酒樓是做本幫菜且營業時間長，故選擇這裏做晚餐點而且要大吃來補充體力。我們點了夫妻肺片、海哲、海鮮油條卷、年糕、沙律鍋貼魚、蛤蜊燉蛋以及核桃酥，再加兩支大可樂才足夠。>v<

夫妻肺片 : 第一次吃才知道原來是以牛肺、牛肚等造成，吃下麻辣十足，但不好辣的我還是放棄吧!補充一句:愛吃麻辣的人可一試無訪!

海哲 : 海哲爽脆，但忘記是醋撈還是用其他醬油撈。=______=''

海鮮油條卷 : 脆卜卜油條加上大量濃郁的千島醬，十分香口、開胃令我愛不擇手，加上油條內有魷魚、蝦仁等材料配合多了一份鮮味，令油條生色不少。

沙律鍋貼魚 : 採用魚肉塗上麵包的方法制成，再加上黑芝麻及沙律醬，脆脆的十分美味可口，真是又一傑作!

蛤蜊燉蛋 : 蛤蜊十分鮮甜但有點兒沙，但燉蛋十分滑溜再加上鹹味剛好的鼓油，令我加添一碗白飯。嗯嗯!

核桃酥 : 核桃形狀內含很多合桃碎、花生碎十分香口，但基於外圍的粉過厚且過油，令我咬了兩口便卻步了，害得我們又浪費食物。

如果行完世博又不知去那裏吃晚餐好，我誠意推介大家到這店子光顧，因為經濟又實惠，最緊要是大大件又好味呢!

在貝希特斯加登鹽礦於1517年，在任期內的主普羅沃斯特 格雷戈爾賴 減少 礦鹽 上升。第一 隧道 是彼得堡隧道。在時間無關 貝希特斯加登王子教務長 但12日以來已世紀，在不久的鹽開採附近Gollnbach自1194年在附近 謝倫伯格 自第一千一百九十三鹽開採是經濟的支柱主教務長和政治獨立的基礎。

如 鹽水 從1517年擔任該舍倫貝格爾鹽漬，在1564年在鹽漬弗勞羅伊特貝希特斯加登。協會收到後，王子在1810年教務長貝希特斯加登拜仁 格奧爾格弗里德里希馮亨巴哈 1816年委託 鹽水 後 賴興哈爾 成立，有困難的，因為世紀密集林業和有限的集水面積在貝希特斯加登，燃料的供應。鹵水線運作1817至1927年，是由於長29公里，高度顯著性差異作為一個技術傑作。由她率領貝希特斯加登 拉姆紹 在傳遞 Schwarzbachwacht 以賴興哈爾。較低的利率就過渡到賴興哈爾 霍爾塔 當時仍然在奧地利領土和退出路線。開始20世紀設置在貝希特斯加登鹽漬廠完成，由於鹵水煮的貝希特斯加登只在巴特賴興哈爾。歷史悠久的鹽水接著一個鹽水一些新的路線，但也是一個領導者在通過Schwarzbachwacht到巴特賴興哈爾。今日 第三鹽水 霍爾的線索塔。

該設施屬於國家所有的世紀。因在1927年由巴伐利亞州政府迄今為 國有企業 進行採礦活動的 行李處理系統，巴伐利亞伯格-，胡滕和鹽場 股份公司，其中包括鹽礦貝希特斯加登，仍是唯一的股東自由邦。 1991年出售土地的股份的 斯卡維特羅斯特貝格。 1995年Südsalz GmbH是建立和鹽礦在貝希特斯加登的介紹。該Südsalz公司現在是附屬 德國西南鹽工程有限公司。

The Musée du Louvre (French pronunciation: [myze dy luvʁ]), or officially Grand Louvre — in English, the Louvre Museum or simply the Louvre — is one of the world's largest museums, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, France and is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square metres (652,300 square feet).

The museum is housed in the Louvre Palace (Palais du Louvre) which began as a fortress built in the late 12th century under Philip II. Remnants of the fortress are still visible. The building was extended many times to form the present Louvre Palace. In 1672, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of antique sculpture.[4] In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years.[5] During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum, to display the nation's masterpieces.

The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being confiscated church and royal property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The size of the collection increased under Napoleon when the museum was renamed the Musée Napoléon. After his defeat at Waterloo, many works seized by Napoleon's armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic, except during the two World Wars. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.

The Panthéon (Latin: Pantheon,[1] from Greek Pantheon, meaning "Every god") is a building in the Latin Quarter in Paris, containing the remains of distinguished French citizens.

In 1744, King Louis XV of France suffered from a serious illness and vowed to replace the old church of the Abbey of St Genevieve if he recovered. He did recover, and entrusted Abel-François Poisson, marquis de Marigny with the fulfillment of his vow. In 1755, Marigny commissioned Jacques-Germain Soufflot to design the church, with construction beginning two years later. Due to the economic problems in France at this time, work proceeded slowly. In 1780, Soufflot died and was replaced by his student, Jean-Baptiste Rondelet. The remodeled Abbey of St. Genevieve was finally completed in 1790, but during the early stages of the French Revolution, the National Constituent Assembly decided to convert it into a secular mausoleum for prominent Frenchmen, retaining Quatremère de Quincy to oversee the project.

It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome, surmounted by a dome that owes some of its character to Bramante's "Tempietto". Located in the 5th arrondissement on the Montagne Sainte-Geneviève, the Panthéon looks out over all of Paris. Soufflot had the intention of combining the lightness and brightness of the gothic cathedral with classical principles, but its role as a mausoleum required the great gothic windows to be blocked. Nevertheless, it is one of the most important architectural achievements of its time and the first great neoclassical monument.

The Église de la Sainte-Trinité is a Roman Catholic church located in the 9th arrondissement of Paris, France. The church is a building of the Second Empire period, built between 1861 and 1867 at a cost of almost 4 million francs.

La Trinité, as it is known, was designed by Théodore Ballu as part of the beautification and reorganization of Paris under Baron Haussmann. Exterior figures of Faith, Hope, and Charity on the church were sculpted by Eugène-Louis Lequesne. The church has a bell tower 63 metres high topped by a dome. The choir is ten steps higher than the nave and surrounded by an ambulatory.[1] Also named after it are the rue de La Trinité and the square de La Trinité.

The Eiffel Tower (French: La Tour Eiffel, [tuʁ ɛfɛl], nickname La dame de fer, the iron woman) is an 1889 iron lattice tower located on the Champ de Mars in Paris that has become both a global icon of France and one of the most recognizable structures in the world. The Eiffel Tower, which is the tallest building in Paris,[10] is the single most visited paid monument in the world; millions of people ascend it every year. Named after its designer, engineer Gustave Eiffel, the tower was built as the entrance arch for the 1889 World's Fair.

The tower stands 324 m (1,063 ft) tall, about the same height as an 81-story building. It was the tallest man-made structure in the world from its completion until the Chrysler Building in New York City was built in 1930. Not including broadcast antennas, it is the second-tallest structure in France after the 2004 Millau Viaduct.

The tower has three levels for visitors. Tickets can be purchased to ascend by stairs or lift to the first and second levels. The walk to the first level is over 300 steps, as is the walk from the first to the second level. The third and highest level is accessible only by lift. Both the first and second levels feature restaurants.

The tower has become the most prominent symbol of both Paris and France, often in the establishing shot of films set in the city.

The Moulin Rouge is best known as the spiritual birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today the Moulin Rouge is a tourist destination, offering musical dance entertainment for visitors from around the world. Much of the romance of turn-of-the-century France is still present in the club's decor.

The structure was built between 1887 and 1889 as the entrance arch for the Exposition Universelle, a World's Fair marking the centennial celebration of the French Revolution. Three hundred workers joined together 18,038 pieces of puddled iron (a very pure form of structural iron), using two and a half million rivets, in a structural design by Maurice Koechlin. The co-architects of the Eiffel Tower were Emile Nouguier, Maurice Koechlin and Stephen Sauvestre.[11] The risk of accident was great as, unlike modern skyscrapers, the tower is an open frame without any intermediate floors except the two platforms. However, because Eiffel took safety precautions, including the use of movable stagings, guard-rails and screens, only one man died. The tower was inaugurated on 31 March 1889, and opened on 6 May.

The tower was much criticised by the public when it was built, with many calling it an eyesore. Newspapers of the day were filled with angry letters from the arts community of Paris. One is quoted extensively in William Watson's US Government Printing Office publication of 1892 Paris Universal Exposition: Civil Engineering, Public Works, and Architecture: “And during twenty years we shall see, stretching over the entire city, still thrilling with the genius of so many centuries, we shall see stretching out like a black blot the odious shadow of the odious column built up of riveted iron plates.”[12] Signers of this letter included Jean-Louis-Ernest Meissonier, Charles Gounod, Charles Garnier, Jean-Léon Gérôme, William-Adolphe Bouguereau, and Alexandre Dumas.

Novelist Guy de Maupassant—who claimed to hate the tower[13]—supposedly ate lunch in the Tower's restaurant every day. When asked why, he answered that it was the one place in Paris where one could not see the structure. Today, the Tower is widely considered[by whom?] to be a striking piece of structural art.

One of the great Hollywood movie clichés is that the view from a Parisian window always includes the tower. In reality, since zoning restrictions limit the height of most buildings in Paris to 7 stories, only a very few of the taller buildings have a clear view of the tower.

Eiffel had a permit for the tower to stand for 20 years; it was to be dismantled in 1909, when its ownership would revert to the City of Paris. The City had planned to tear it down (part of the original contest rules for designing a tower was that it could be easily demolished) but as the tower proved valuable for communication purposes, it was allowed to remain after the expiry of the permit. The military used it to dispatch Parisian taxis to the front line during the First Battle of the Marne.

The Hundertwasser House Vienna (German: Hundertwasserhaus Wien) is an apartment house in Vienna, Austria, designed by Austrian artist Friedensreich Hundertwasser. This landmark of Vienna is located in the 3. district, Kegelgasse 34-38 / Löwengasse 41-43, at [IMG http://upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Erioll_world.svg/18px-Erioll_world.svg.png]48°12′26″N 16°23′39″E. / 48.20722°N 16.39417°E / 48.20722; 16.39417

The house was built between 1983 and 1986 by architects Univ.-Prof. Joseph Krawina and Peter Pelikan. It features undulating floors ("an uneven floor is a divine melody to the feet"[1]), a roof covered with earth and grass, and large trees growing from inside the rooms, with limbs extending from windows. Hundertwasser took no payment for the design of the house, declaring that it was worth it, to prevent something ugly from going up in its place.

Within the house there are 52 apartments, four offices, 16 private terraces and three communal terraces, and a total of 250 trees and bushes. The Hundertwasser House is one of Vienna's most visited buildings and has become part of Austria's cultural heritage.[2]

海布倫宮(Schloss Hellbrunn)，德文的意思是「水泉的夏宮」，夏宮分三大部分：夏宮 (Schloss)、花園 (Park)及噴泉公園(Wasserspiele)，而這個噴泉公園就獨立出來，獨立收費，且遊客若要到噴泉公園部分，一定要跟Guided tour，因為導遊會令你開懷大笑，也會令你如落湯雞一樣。

海布倫宮建成於1620年，由一個好有幽默感、貪玩、多情的主教Markus Sittikus 委託一意大利建築師設計的。他愛跟客人開玩笑，例如guided tour頭一個環節，是團友們聚集在一個小羅馬廣場，場中心有一張如4張乒乓球臺般大的古老石臺，兩邊有一排石凳，導遊介紹了公園及一些守則後，就問我們誰有興趣坐下來玩遊戲? 原來是看誰不夠好彩，凳下已裝有水喉，九個人當中，就只有一個可以「全身而退」，據說這一個位就是以前主教坐的。而我們做觀眾的，以為可以幸災樂禍，當你嘻嘻哈哈開懷指笑他們時，就驚覺我們一班觀眾的身邊竟然又有水柱射出！哭笑不得，但也讓每個人都更投入！

Hellbrunn Palace (German: Schloss Hellbrunn) is an early Baroque villa of palatial size, near Morzg, a southern district of the city of Salzburg, Austria. It was built in 1613-19 by Markus Sittikus von Hohenems, Prince-Archbishop of Salzburg, and named for the "clear spring" that supplied it. Hellbrunn was only meant for use as a day residence in summer, as the Archbishop usually returned to Salzburg in the evening. Therefore, there is no bedroom in Hellbrunn.

Getreidegasse (also known as Grain Lane) is a busy shopping street in the Old-Town section of Salzburg. The house at no. 9 Getreidegasse is the place where Wolfgang Amadeus Mozart was born and where he lived until the age of 17. Originally called Trabegasse (derived from Traben - to trot), its name was changed several times before it became the Grain Lane.

Every day, you can see the famous 'puppet woman' with her brown basket on this street. She is a lady named Maria and has been selling puppets there since 1987.[1].