呢間leon有好多分店架...我就揀黎Champs Elysées呢間...方便嘛..

我2年前喺Saint-Germain分店食過之後,就覺得好好味喇..每人approximately eur 20, 又唔算貴,正...

今次係去完outlet shopping之後過黎,本來係打算去凱旋門影下相先, 點知勁大雨,所以一落車就開餐...

我地3個人,叫3個唔同嘅set, 其中2個set要前菜,另1個就要甜品...

個前菜都好好味架...1個係salad, 1個係smoked salmon,甜品我地就要waffle...

3個青口黎到, 全部都好好味,其實我唔係好知邊個打邊個...不過都冇所謂啦..我地都係share食架啦....

d薯條好正,仲熱辣辣添....而家喺HK D fast food shops,要好好彩先會有熱辣辣嘅薯條食囉...
雖然leon d薯條係可以不斷refill,不過我地食完3兜已經飽到暈...所以冇refill到..

跟住我地仲order左1個iced coffee,1個coke....個iced coffee都好好飲架...

埋單euro 71...都ok啦....

呢間酒店個owner好helpful, 好information..我地住左大概1個星期,除左冇elevator,搬條非常迂迴嘅樓梯搬到我死之外,其他各方面都好令人滿意...

我地以avignon為中心點,住喺呢度嘅時候去埋monaco, marseille, orange, nimes等等地方,好方便..

喺呢度住仲有早餐食添,d麵包好好食,仲有1杯果汁同1杯熱飲,杯飲品仲要係即刻整架.熱辣辣,好warm...有1日我因為要一早出發去sault睇lavender,個owner仲特登早半個鐘整早餐比我地食添...好好人呀...

講返間房, 1星酒店就當然唔會好靚啦...不過算好乾淨, d毛巾日日換同埋日日執房...
不過就有d細囉...但係ventilation好好...冷氣好夠..而且有好大個窗, 我地多數都開窗就算喇..好好風...

呢度有free wifi, 非常stable.

不過浴室d熱水唔係好穩定, 有時凍有時熱..所以要快沖....

每晚好似eur 80多d...

話晒係法國第2大城市wor..我梗係要黎行下啦...
而且我去完lyon之後就會去paris, 喺呢度走坐TGV就非常順路喇...

Lyon地方唔係好大,應該留1日就夠喇....不過我喺度住左3晚

呢個城市最靚就係舊城區...好多巷仔,建築物都好有特色....仲有幾條街集中晒好多餐廳...
我晏晝行過旅遊局附近果陣,仲見到d街市攤檔,賣菜賣肉...連牛奶都有得賣...
我最鍾意行呢d架喇...

如果唔鍾意睇建築唔鍾意睇風景,lyon都有d shopping area架...乜都有得賣呀...
有d 舖頭仔仲賣d好得意嘅家品添...

我下次黎歐洲,都會再黎呢度...去埋睇我今次冇去到嘅miniature museum ...

明明去緊法國, 無啦啦睇旅遊書見到呢個喺南法隔離嘅小國即刻去埋...
喺avignon上車, 坐20分鐘車就到喇...仲快過我喺屯門出荃灣. 

我地一去到就坐低食飯...之後再慢慢行...

首先去參觀皇宮, 買飛果陣有隻飛係包埋隔離個博物館同水族館...好似eur 18...於是我地就參觀晒3樣喇...皇宮入面都好靚架, 不過皇宮同museum入面唔比影相嘅, 而水族館就可以影,不過唔可以flash...

monte carlo呢個地方,周圍都係環海...身處任何位置望出去都係好靚嘅海,同埋泊晒好多遊艇喺度...

我地參觀完之後就行去賭場果邊, 未行到去已經見到門口有隊live band表演緊..好多人圍觀....
跟住見到門口個停車場好似車展咁...最cheap嘅車已經係Mercedes...
因為傍晚過後入賭場有dress code, 所以我想入去見識下都唔得...我見d 人男嘅就著suit/tux...女嘅有d戴埋headpiece添...

呢度真係好靚... 好值得去!

而家變成睇藝術品的地方, 有畫啦...雕刻品啦..木乃伊等等. you will need to spend like 2 to 3 hrs here, 不過遊客就唔算多, 唔會好似羅浮宮咁人迫人..所以可以慢慢睇, enjoy...

馬賽成個城市都幾靚, 尤其係個舊港...港口有好多遊覽船,不過好貴..所以冇坐到..另外沿住海邊有好多攤檔賣唔同種類嘅野, 有soap啦...porcelain啦.. 飾物啦....衫啦....麵包啦...仲有個女仔幫人紮dreadlock...好型

我地去左食出名嘅馬賽魚湯啦..不過望落去好似香港嘅番茄魚湯咁...只係佢用左幾隻唔同嘅魚再加青口再加麵包....anyways...都幾ok..唔算貴..no harm trying...

如果要買soap嘅話, 馬賽d攤檔應該係最平嘅..(比起其他城市)...

到達巴黎的第一天，放下行季後便立刻前往我這次的巴黎之旅的第一站Carl Marletti。

去Carl Marletti本打算試試它的一款曲奇，在網上看到的評語如下

The edges of the cookies taste and melt in your mouth as though they are made of butter, and only butter.  They're incredibly fragile, but also crisp.  Then there's the center of the cookies - a translucent caramel with nuts. 

很可惜，我在店內找不到這款曲奇。(真的很想試試看嘛！)

踏入Carl Marletti那刻，實在太興奮了，店內放著各式各樣的甜點，對我這個甜痴來說，實在太吸引了！那刻終於明白到“目不暇給”的真正意思！

不知為何，店內並沒有客人，因此當我們踏入店內的一刻，我們便成了店內的焦點。說實的，我並不太喜歡被店員注視的感覺，總覺得有點被監視似的，因為，那刻對我來說實在有點不自在，特別是當我正在苦惱著選擇那一款甜點的時候。

最後，我選擇了我的至愛Saint honore和一件榛子味mille-feuille。

買了甜點後，我便急不及待地在街上品嘗我在巴黎的第一件甜點。最先吃的是我的至愛-Saint honore。

外貌︰個人覺得很不錯

味道：很美味 (個人而言，覺得Saint honore難食極也不會太離譜)。Saint honore裡面的Cream是牛奶cream，並沒有加上唐，外面包著甜甜的焦唐，兩者加在一起實在太美味。

快速地吃掉整個後也不會覺得太甜和太漏。

再試榛子味mille-feuille

外貌︰也很不錯

味道：一般

那mille-feuille，我想說，好像有點焦了的感覺。我不是說外表，而是味道。吃第一口，便吃到了燒焦的味道，而且有點硬，並不像香港吃的到拿破崙的酥皮般鬆化。這個我覺得不是問題，因為mille-feuille是比較硬一點的，然而，燒焦味實在在那一國也不會如此吧！

有點扣分嘛！

想不到在巴黎吃的第一頓甜點便吃到一個燒焦mille-feuille。哈~不過，還是很高興！因為我終於可以開始我在巴黎的飲食之旅嘛！

吃完甜點後，便立即前往第二站Le Dome。

The Musée du Louvre (French pronunciation: [myze dy luvʁ]), or officially Grand Louvre — in English, the Louvre Museum or simply the Louvre — is one of the world's largest museums, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, France and is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square metres (652,300 square feet).

The museum is housed in the Louvre Palace (Palais du Louvre) which began as a fortress built in the late 12th century under Philip II. Remnants of the fortress are still visible. The building was extended many times to form the present Louvre Palace. In 1672, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of antique sculpture.[4] In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years.[5] During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum, to display the nation's masterpieces.

The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being confiscated church and royal property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The size of the collection increased under Napoleon when the museum was renamed the Musée Napoléon. After his defeat at Waterloo, many works seized by Napoleon's armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic, except during the two World Wars. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.

The Panthéon (Latin: Pantheon,[1] from Greek Pantheon, meaning "Every god") is a building in the Latin Quarter in Paris, containing the remains of distinguished French citizens.

In 1744, King Louis XV of France suffered from a serious illness and vowed to replace the old church of the Abbey of St Genevieve if he recovered. He did recover, and entrusted Abel-François Poisson, marquis de Marigny with the fulfillment of his vow. In 1755, Marigny commissioned Jacques-Germain Soufflot to design the church, with construction beginning two years later. Due to the economic problems in France at this time, work proceeded slowly. In 1780, Soufflot died and was replaced by his student, Jean-Baptiste Rondelet. The remodeled Abbey of St. Genevieve was finally completed in 1790, but during the early stages of the French Revolution, the National Constituent Assembly decided to convert it into a secular mausoleum for prominent Frenchmen, retaining Quatremère de Quincy to oversee the project.

It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome, surmounted by a dome that owes some of its character to Bramante's "Tempietto". Located in the 5th arrondissement on the Montagne Sainte-Geneviève, the Panthéon looks out over all of Paris. Soufflot had the intention of combining the lightness and brightness of the gothic cathedral with classical principles, but its role as a mausoleum required the great gothic windows to be blocked. Nevertheless, it is one of the most important architectural achievements of its time and the first great neoclassical monument.

The Église de la Sainte-Trinité is a Roman Catholic church located in the 9th arrondissement of Paris, France. The church is a building of the Second Empire period, built between 1861 and 1867 at a cost of almost 4 million francs.

La Trinité, as it is known, was designed by Théodore Ballu as part of the beautification and reorganization of Paris under Baron Haussmann. Exterior figures of Faith, Hope, and Charity on the church were sculpted by Eugène-Louis Lequesne. The church has a bell tower 63 metres high topped by a dome. The choir is ten steps higher than the nave and surrounded by an ambulatory.[1] Also named after it are the rue de La Trinité and the square de La Trinité.

The Eiffel Tower (French: La Tour Eiffel, [tuʁ ɛfɛl], nickname La dame de fer, the iron woman) is an 1889 iron lattice tower located on the Champ de Mars in Paris that has become both a global icon of France and one of the most recognizable structures in the world. The Eiffel Tower, which is the tallest building in Paris,[10] is the single most visited paid monument in the world; millions of people ascend it every year. Named after its designer, engineer Gustave Eiffel, the tower was built as the entrance arch for the 1889 World's Fair.

The tower stands 324 m (1,063 ft) tall, about the same height as an 81-story building. It was the tallest man-made structure in the world from its completion until the Chrysler Building in New York City was built in 1930. Not including broadcast antennas, it is the second-tallest structure in France after the 2004 Millau Viaduct.

The tower has three levels for visitors. Tickets can be purchased to ascend by stairs or lift to the first and second levels. The walk to the first level is over 300 steps, as is the walk from the first to the second level. The third and highest level is accessible only by lift. Both the first and second levels feature restaurants.

The tower has become the most prominent symbol of both Paris and France, often in the establishing shot of films set in the city.

The Moulin Rouge is best known as the spiritual birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today the Moulin Rouge is a tourist destination, offering musical dance entertainment for visitors from around the world. Much of the romance of turn-of-the-century France is still present in the club's decor.

The structure was built between 1887 and 1889 as the entrance arch for the Exposition Universelle, a World's Fair marking the centennial celebration of the French Revolution. Three hundred workers joined together 18,038 pieces of puddled iron (a very pure form of structural iron), using two and a half million rivets, in a structural design by Maurice Koechlin. The co-architects of the Eiffel Tower were Emile Nouguier, Maurice Koechlin and Stephen Sauvestre.[11] The risk of accident was great as, unlike modern skyscrapers, the tower is an open frame without any intermediate floors except the two platforms. However, because Eiffel took safety precautions, including the use of movable stagings, guard-rails and screens, only one man died. The tower was inaugurated on 31 March 1889, and opened on 6 May.

The tower was much criticised by the public when it was built, with many calling it an eyesore. Newspapers of the day were filled with angry letters from the arts community of Paris. One is quoted extensively in William Watson's US Government Printing Office publication of 1892 Paris Universal Exposition: Civil Engineering, Public Works, and Architecture: “And during twenty years we shall see, stretching over the entire city, still thrilling with the genius of so many centuries, we shall see stretching out like a black blot the odious shadow of the odious column built up of riveted iron plates.”[12] Signers of this letter included Jean-Louis-Ernest Meissonier, Charles Gounod, Charles Garnier, Jean-Léon Gérôme, William-Adolphe Bouguereau, and Alexandre Dumas.

Novelist Guy de Maupassant—who claimed to hate the tower[13]—supposedly ate lunch in the Tower's restaurant every day. When asked why, he answered that it was the one place in Paris where one could not see the structure. Today, the Tower is widely considered[by whom?] to be a striking piece of structural art.

One of the great Hollywood movie clichés is that the view from a Parisian window always includes the tower. In reality, since zoning restrictions limit the height of most buildings in Paris to 7 stories, only a very few of the taller buildings have a clear view of the tower.

Eiffel had a permit for the tower to stand for 20 years; it was to be dismantled in 1909, when its ownership would revert to the City of Paris. The City had planned to tear it down (part of the original contest rules for designing a tower was that it could be easily demolished) but as the tower proved valuable for communication purposes, it was allowed to remain after the expiry of the permit. The military used it to dispatch Parisian taxis to the front line during the First Battle of the Marne.

champs-elysees倒是沒有很大的感覺。只是一般購物街道而已。 倒是The Arc de Triomphe，很大的震撼！！ 它並不是照片，明信片上那樣簡單一面，可以說是雄偉。華麗景致的雕刻，每一面都有一面的內容。
特別是在The Arc de Triomphe之下，向上仰望，頂部裝飾簡直驚世駭俗～